413 Royalty-Free Audio Tracks for "Cohemitonic Scales"

Ascending and descending scale played in E major

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Bayati scale. MIDI pitch bend matches intervals (1 quarter flat).

Non-Pythagorean scale on C.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Coronation scene from Boris Godunov

Diminished seventh chord's use in modulation.

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Ascending and descending scale played in E flat major

A12 tuning (12 steps to the perfect twelfth) on C.

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

The pelog selisir scale of Balinese gamelan gong kebyar, played on a gangsa.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Diatonic scale on C.

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

C major bebop scale.

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Minor major seventh chord on C.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

9-limit dekany scale.

Mother chordMutterakkord

Example of melodic minor from the opening of Vivaldi's Concerto grosso, RV 578, Op.3/2.

10-tet scale on C. MIDI pitch bend matches intervals.

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Harmonic Scale chromatic on C.

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Istrian scale in Schubert's Symphony No. 8 in B minor (1922), 1st mvt., bars 13-20.

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Beta scale major triad on C. MIDI pitch bend matches intervals.

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Triad in Just Bohlen-Pierce tuning (0 4 7)